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Amalea Tshilds

Dip a toe eye hand
Day before they close it down
The paint dries like hope

May 12, 2019

Garfield Park Conservatory

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Alison Fox

It was such a scary time when we met. Everything felt unsure, incomplete and new. The chance to paint together brought me in to connection with purpose and practice.

March 18, 2020

Remote upstate NY

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Alex Bradley Cohen

Here it begins:

Memory is tricky, But
great experiences are made through extraordinary events.
And this event, my time in the park with leslie
that she made an opening for, cultivated by her
unrehearsed by me
took form as organically in plain site
as the drawings we made
while we took site and plein aired our site
the location was intimate and open
we had visitors both Woman, Child, Animal, Insect
that flew for us, and told us what we were doing was beautiful and took our photo
it was a moment where connections and differences were made and noted
where seeds for imaginative projections were made
an archaic event, two humans in greenery, trying to make sense of their own relationship, to an external world through image making
showing each other what they saw, how they see, seeing who got it right, and whose window directed us forward
oh it was a memory all right, one that stuck

August 16, 2019

Humboldt Park

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Allison Wade

September 2, 2017

Humboldt Park

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Jesse Malmed

June 20, 2021

Gompers Park

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Gwendolyn Zabicki

Painting is usually a very solitary activity for me, so to share that with someone else and to talk and laugh was wonderful, especially after living through the long lonely pandemic. To just show up and everything is already ready (paints, paper, brushes, chairs) on a beautiful summer day and spend some time with someone I’ve always liked but never get to see was a gift to me in so many ways.

June 24, 2021

Humboldt Park

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Jan Brugger

I was feeling very nervous as I walked up to the top of the hill. I’m generally pretty awkward and I think I’m especially bad when meeting new people (even though we had spoken before online), but Leslie was really easy to talk to in a way that was both calming and upbeat. We walked down the hill to the edge of the pond and set up our working space.

Leslie jumped right in with a big wash of yellow and, at first, it took me a bit to figure out how to paint and talk at the same time. It was a little like trying to rub your belly and pat your head – my color-mixing/choosing mind and my sentence-forming mind were out of step. But once I had a good palette started, I noticed that it was actually nice to chat while painting as it freed me from overthinking, and encouraged me to make quick decisions. Part of my brain turned off and perhaps more of my subconscious could seep out in return.

A few things we talked about:

  • How Leslie used to come to this park after work
  • My recent trip to Europe for my honeymoon
  • Leslie & an ex imagining buying their dreamhouse nearby
  • Our disenchantment with the art hustle/openings
  • Our preference for making art with friends
  • Color palettes (Leslie was using a palette from a Milton Avery portrait painting) & the color of the water
  • Plein air painting is inĀ Vogue
  • How Leslie came across the watercolor pans we use. Also, watercolor tube preferences
  • Moms painting
  • Logistical problems of a plein air painting class
  • Leslie’s project, the exhibition, and the website
  • Negative space
  • The ducks
  • Finding a bathroom

September 26, 2021

Palmisano Park

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Annie Coleman, Melissa English, Gizelle Jean English

July 4, 2021

Soldiers Grove

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Asa Martin

July 22, 2021

Eagle Rock Patio

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Diana Guerrero-MaciĆ”

July 7, 2021

Looking Glass Garden Chicago

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